A digital audio console with colorful illuminated controls in a dark environment.

HIGH TECH.

HIGH TECH.

MATRIX PRODUCTION SYSTEMS

LOW STRESS.

LOW STRESS.

■ BEHIND THE CURTAIN

With experience across audio, lighting, vision, staging, logistics and event management, MPS brings a big picture approach to every project. We get a kick out of moments where technology quietly makes magic happen, or when a clever workflow gives an artist room to push their ideas further.

That is the heart of Matrix Production Systems. Event technology should unlock ideas, not get in the way of them. MPS is built on the belief that shows work best when all parts of the system speak the same language and pull in the same direction. The goal is simple. Create clean, reliable, creative technical systems that support the artistic vision and help deliver shows that feel effortless from the outside and rock solid from within.


AUDIO

From small pub gigs to full touring systems, MPS delivers clear, powerful sound tailored to your show. We design and operate FOH, monitor setups and playback workflows with the same focus every time: reliability, musicality and a stress-free experience for artists onstage and crews backstage.

Concert stage with musicians performing, bright stage lights, audience watching, viewed from mixing console in the front.
A band performing on an outdoor stage at night, with purple lighting, a heart-shaped decoration hanging above, and a sound mixing console in the foreground.
view from inside a tent or sound booth overlooking an outdoor concert stage with people sitting and enjoying the event on a bright, sunny day with clear blue skies and green trees.

■ LIGHTING

MPS brings a flexible, modern approach to lighting design and operation, comfortably working across MA2, MA3, Chamsys and QLab environments. Whether it’s live busking for a festival slot or building a tour-ready rig that can drop into multiple venues, we shape light that supports the music, the mood and the story.

Person standing in a dark space illuminated by blue neon lights on the floor and around the person, creating a minimalistic, futuristic scene.
Red stage lighting and spotlights illuminating a dark club or concert venue with a crowd of people.
A nightclub with a DJ performing on stage, colorful lighting effects including blue, purple, orange, and yellow spotlights, and silhouettes of the audience with some raising their hands.

■ VISUALS

From large-scale projection to intricate interactive video, MPS builds responsive vision systems using Resolume, QLab, Blackmagic Design, NDI, MIDI and OSC. Concerts, installations, building facades, we create mapped and automated visuals that can sync with the energy of the show.

A performer on stage with a rainbow-colored background while an audience watches, with silhouettes visible in the foreground.
A group of young people dancing and socializing under colorful neon and LED lights on a stage with a disco ball hanging from the ceiling.
Two performers in black and white outfits dance on stage with their arms raised, silhouetted against a dark background with a line of glowing green binary code forming an abstract shape in the distance.

about ME

I’m a technical director and systems designer with a focus on clean, reliable show control. Across festivals, theatres, outdoor activations and specialised productions, I love taking complex audio, lighting and vision requirements and turning them into simple, elegant solutions that crews can trust.

My background blends creative production with deep hands-on technical expertise, spanning all elements of production technology. I’m at my best when consulting on all departments of show control, translating the needs of designers, operators and producers into a single, unified workflow that keeps the whole show moving.

At the heart of it: I believe shows run better when everything talks nicely to each other, both in a technical sense and human sense. My work is about making that happen and unlocking the next level of fun and creativity for artists.

A young man with brown hair and beard pointing at the camera while standing behind a lighting console at a nightclub.

JORDAN HODGE, DIRECTOR

A professional sound engineer's mixing console with multiple screens and controls, in an event space.

LET’S  ChAT